MSU Press Amplifies Indigenous Voices for Native American Heritage Month

Indigenous voices come to the surface in the Michigan State University Press published “Sovereign Traces” graphic novel series. This collection is at the forefront of MSU Press’s push to share the work of Native American authors and artists for National Native American Heritage Month this November.

Comic Panel. Native American young man crossing over the top of a chain fence with barbed wire on the top. Text box one says: "Elder brother knew he should turn away, but that would mean spending the night by himself..." Text box 2: "...Freezing..." Text box 3 "...and rattling."

The series is edited by Gordon Henry Jr., an Anishinaabe poet and novelist, and Elizabeth LaPensée, an Anishinaabe from Baawaating with relations at Bay Mills Indian Community and Métis. LaPensée is an Assistant Professor of Media & Information and Writing, Rhetoric & American Cultures at Michigan State University.

LaPensée said, “National Native American Heritage Month calls on us to recognize, respect, and celebrate Indigenous people. Indigenous comics offer an immersive way to engage, learn, and process.”

She described the first graphic novel in the series as illustrated stories written by well-known Indigenous writers expressing the impact of residential schools, truths about ongoing incarceration, and concerns for Indigenous women’s well-being. The second book, published in June 2019, uplifts established and emerging voices in a collection of comics, art, and poems by Indigenous illustrators and writers who express what love means to them.

MSU Press Assistant Director and Editor-in-Chief Catherine Cocks said, “The Sovereign Traces series takes MSU Press’s longstanding commitment to publishing the works of Native authors and artists in an exciting new direction. The vivid medium of graphic literature opens up the possibility of reimagining reading while enabling more people to enjoy the brilliant words and art of Native creators.”

Three images, top is of two faceless women with long, dark hair. Over top of them it says "The antelope are strange people... they are beautiful to look at, and yet they are tricky. We do not trust them. They appear and disappear; they are like shadows on the plains. Because of their great beauty young men sometimes follow the antelope and are lost forever. Even if those foolish ones find themselves and return, they are never again right in their heads. —Petty Shield, "Medicine Women of the Crows" transcribed and edited by Frank Linderman (1932)"

Second image is a tan outline of a deer, with blue ovals inside of it. In the sky is a circle with a line through it, dividing it into rough halves. The text says "All night I am the doe, breathing / his name in a frozen field, / the small mist of the word / drifting always before me."

The third, and bottom, image is of an outline of a woman standing in front of the sun. Flying toward her are outlines of bullets. In the background, the outline of a deer on a cave wall. The text says, "And again he has heard it / an dI have gone burning / to meet him, the jacklight / fills my eyes with blue fire; / the heart in my chest / explodes like a hot stone."

MSU Press has published several other books that focus on Native American issues such as the 2020 release “Famine Pots.” It examines the remarkable story of money sent by the Choctaw to the Irish in 1847 at the height of the potato famine, just sixteen years after the Choctaw began their march on the Trail for Tears.

Cocks stressed that Native American voices will continue to be a focus of MSU Press. Additional titles such as genealogies are scheduled to come out in the next year.

For more information on MSU Press books visit msupress.org.

Image Attribution

Art from “An Athabasca Story” by Warren Cariou, illustration and color by Nicholas Burns.

Art from “The Strange People” by Louise Erdrich, illustration and color by Elizabeth LaPensée.

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