Contents
Acknowledgements
Isabel Soto and Violet Showers Johnson | Introduction: Blackness and Modernities: Varieties and Re-Examinations
Clarence Sholé Johnson | Resistance to Modernity: Two Contesting Viewpoints
María M. García Lorenzo | The Unwhitening of Discourse: The Gothic in African-American Literature
Christopher Mulvey | The Modernity of James Weldon Johnson and the African American Twentieth Century
Claude Julien | Wolf Whistle and A Killing in this Town: Two Ways to Exorcise Racial Hatred
Alexander Beissenhirtz | Theorizing the Vernacular Modernism of Jazz: The New Jazz Studies
David Abulafia | The First Atlantic Slaves, 1350-1520: Conquest, Slavery and the Opening of the Atlantic
Paul Delaney | From Tourist to Bureau Chief: Witnessing Spain’s Racial Emergence
Mar Gallego-Durán | African American Women Travelers: Claiming Voice and Transgressing Boundaries
Ime A. S. Kerlee | Somos una Mezcla?: Re-Constructing Race in Dominicanidad
Simon Dickel | Modernism, the Harlem Renaissance, and Negotiations of Black Gay Identity in the 1980s
Alison D. Goeller | Zora on the Mountain: Zora Neal Hurston’s Artistic Exodus in Moses, Man of the Mountain
Małgorzata Ziółek-Sowińska | African American Modernism and the Music of Duke Ellington
Emil Sîrbulescu | Louis Armstrong’s Unknown Addiction, or the (Un)Willing Autobiographer
Simone A. James Alexander | Embodied Subjects: Policing and Politicking the Black Female Body
Georg Bauer | Challenging the Great White Hopes: Black Boxers in Film
Yvonne Gutenberger | I am Remembered as a Hairdo: Angela Davis’s Autobiography as a Revision of the Public Persona and Self-Reconstruction as Political | Activist
Notes on the Contributors