CR: The New Centennial Review 18, no. 2 cover
CR: The New Centennial Review 18, no. 2
IN THIS ISSUE

Editors’ Note

Special Issue: Music & Theory: New Ontologies, Politics, and Materialities

Claire Colebrook, "Escaping Meaning, Escaping Music"

Carolyn Chen, "Parts to Sing Empty"

Jeremy Braddock and Timothy Morton, "How to Make Hyperobject Sound Art: Occupying the Electromagnetic Field with the Firesign Theatre"

Joanna Bailie, "Film Theory and Synchronization"

Holly Watkins, "On Not Letting Sounds Be Themselves"

Fabien Lévy, "Deconstructing the Grammatologies of Music: A Tool for Composing"

Jeffrey R. Di Leo, "Late Capitalism on Vinyl: Neoliberalism, Biopolitics, and Music"

Christopher Swithinbank, "Who Vibrates?"

NaomiWaltham-Smith, "A Music Worthy of the Name: Or, Agamben’s Museicology"

Ashley Fure, "Liquid Chaos"

Jean-Luc Nancy, "Variations on the Reprise"

Tatiana Catanzaro, "The Breath of Sound"

Articles
Casey R. Goonan, "Sketches of Moral Duress: On the Analytics of White Liberal Ethicality—Mediating Crisis in the U.S. National (Racial) Form"

David L. Clark, “'Can the university stand for peace?': Omar Khadr, Higher Education, and the Question of Hospitality"
Publication Date: December 21st, 2018
360 pages| 6 in x 9 in
Bios