Just in: The 2018 Fourth Genre Steinberg Essay Prize judge will be Robin Hemley! He is an award winning writer, founder of NonfictioNOW, former director of the Nonfiction Writing Program at the University of Iowa, and current director of the Writing Program and Writers’ Centre at Yale-NUS College, Singapore. His books include Do-Over! and Nola: A Memoir of Faith, Art, and Madness.
The Prize opens for submissions on January 15, 2018. Find more info on our Prize page.
We are excited to announce that Molly Gallentines’s essay, “Powder House,” has been chosen as the winner of the 12th annual Fourth Genre Steinberg Essay Prize! Judge Ned Stuckey-French shares his thoughts on the winning essay:
“Powder House” is an important, moving, fascinating, and beautiful essay. It’s also wonderfully odd, weaving together as it does meditations about St. Mark’s Place, the War on Terror, cookbooks, nineteenth century glue baron Peter Cooper, LBJ’s “Daisy” ad from the 1964 election, W. H. Auden, and the origins of Jell-O, among other things. There is a weird and comic narrative in which the author and her friend Brandon film a movie of themselves trying to make an orange gelatin mold using a Revolutionary Era recipe that calls for hand-ground hartshorn and isinglass, a collagen derived from the dried swim bladders of fish. As it happens, they are grating their deer antlers in the kitchen of Brandon’s apartment at 77 St. Mark’s Place, the same apartment building where the exiled Leon Trotsky wrote for the Russian revolutionary paper Novy Mir and Auden lived for the last 20 years of his life. But “Powder House” is a narrative essay mainly in the Montaignean sense. We don’t care so much about whether the gelatin will set properly. What pulls us along is the story of a mind thinking. Where will the next digression take us? What new connection will this distinctly American essay make? What more will we learn about history, place, memory, beauty, and art? A lot more as it turns out. I admire “Powder House” and its author very much.
“Powder House” will be published in Fourth Genre 19.1 (February 2017).
This year’s runner-up is Wilfredo Pascual with the essay “Terminus.”
To see more information about the Fourth Genre Steinberg Essay Prize and to read about past winners, visit the essay prize page.
Congratulations to Journal of West African History on a successful launch conference!
Videos from day 1 can be found here; videos from day 2 here.
Also check out the video of the JWAH Launch Reception at the African Studies Association meeting in San Diego, CA, Nov. 2015:
Eight Fourth Genre authors were listed as Notables in Best American Essays 2015!
- Amanda Giracca (“Within this Kingdom,” 16.1)
- Penny Guisinger (“Coming Out,” 16.2)
- Robert Long Foreman (“Dirty Laundry,” 16.1)
- Judith Adkins (“Lingua Familia,” 16.1)
- Patrick Mainelli (“But We Loved It All the Same,” 16.2)
- Patricia Park (“How to Run a Supermarket,” 16.1)
- Jill Christman (“The Avocado,” 16.1)
- David Naimon (whose “Third Ear” (16.1) was also listed in Best American Travel Writing!)
We are excited to announce that Kaitlyn Teer’s essay, “Ossification,” has been chosen as the winner of the 11th annual Fourth Genre Steinberg Essay Prize! Judge Kate Carroll de Gutes shares her thoughts on the winning essay:
The narrative in Ossification really held me—skeletal and familial without being trite, it’s not just another grandparent narrative. I was surprised, even though the title should have alerted me, when I realized the section headers were actually the spinal markers, and I immediately read the entire piece again, mapping each section’s content to the bony prominences of their headers. I also liked—and I know Judith would have, too—the writer’s use of digression, from science catalogs to black ice to the continuity of standing at the sink doing dishes. Judith believed strongly in digression. Here’s a bit of her take on it in a piece about lyric essay she wrote for Seneca Review:
“Too bad,” said my wonderful professor, “that you have so many good ideas, and no vehicle with which to express them.” Well, I had a vehicle, but it just wasn’t the one he recognized—the language of the scholarly article. It just didn’t dot the i’s or cross the t’s or proceed logically on its way to its point. It circled and spiraled; it doubled back; it digressed and prodded; it spoke in tongues. And yet I knew I knew what I knew—knew it in ways that, if I thought to remember, sounded a bit like my father’s way of knowing something that he then had to prove. But since there is no such thing as “proof” in literature, it seemed to me that all I had to do was find a way to show the direction of my thoughts. Demonstrate them. Point the reader toward my inconclusive conclusions.
“Ossification” does this beautifully. It spirals like a spine with scoliosis, twisting ’round until the reader has a full picture, but no answers to the mystery of the body, the heart, and the families that hold both.
“Ossification” will be published in Fourth Genre 18.1 (February 2016).
Congratulations to QED: A Journal in GLBTQ Worldmaking for winning the honorable mention as “Best New Journal in Humanities and Social Sciences” at the 2015 PROSE Awards. Edited by Charles E. Morris III and Thomas K. Nakayama, QED is published 3 times per year by Michigan State University Press.
Complete list of PROSE winners here.
QED 2.1 is hot off the press! Visit the QED homepage to see content lists from recent issues, read free feature articles, download past issues and articles, and SUBSCRIBE!
R&PA article “‘Prepare to Believe': The Creation Museum as Embodied Conversion Narrative,” by John Lynch, has won the Association for the Rhetoric of Science and Technology’s 2014 Article of the Year Award. This article was published in Rhetoric & Public Affairs vol. 16.1 (2013).
ARST posted the following announcement on their facebook page; please feel free to share the news!
“ARST Article of the Year Award!
The awards committee for the Association for the Rhetoric of Science and Technology’s third annual Article of the Year Award is pleased to announce the 2014 winner. The winning article is John Lynch’s “‘Prepare to Believe’: The Creation Museum as Embodied Conversion Narrative,” which was published in *Rhetoric & Public Affairs *16.1 (2013).
The ARST Article of the Year award recognizes an essay published in the previous calendar year that stands out for its extension of theoretical and practical knowledge of the rhetoric of science and technology, that can foster cross-disciplinary fertilization, that has the potential to teach future generations of scholars about rhetorical aspects of science and technology, and exhibits a high quality of writing and thinking.
Don’t forget, you can read this R&PA article and others via MUSE and JSTOR, or purchase a print or electronic copy on our website.
Congratulations to two Fourth Genre authors whose essays made the “Notables” list in Best American Essays 2014! Both essays appear in Fourth Genre vol. 15.1 (Spring 2013).
- “The Half-Life,” by Annie Penfield (Winner of the Fourth Genre Steinberg Essay Prize)
- “Strip,” by Marya Hornbacher
You can purchase these individual essays or the complete issue in print and electronic format through our website. They are also available on MUSE and JSTOR.
We are excited to announce that, as of January 1st, 2014, Michigan State University Press is part of the JSTOR Current Scholarship Program! Subscribe to MSU Press journals and get easy access to our current issues on the JSTOR platform (www.jstor.org).
Subscribe to all nine journals in the MSU Press package and save 10% off the list price.
All electronic subscriptions of our journals can now be purchased through your chosen subscription agency or JSTOR. For more information about online orders, please click here. For any questions, please contact firstname.lastname@example.org.
To obtain a preliminary quote for your electronic subscription, use the JSTOR price calculator.
Fourth Genre is pleased to announce Robert Root as the 2014 judge of the 10th annual Fourth Genre Steinberg Essay Prize.
Robert Root is a faculty member in the MFA Program in Creative Writing at Ashland University. He is the author of the memoir Happenstance, the essay collection Postscripts: Retrospections on Time and Place, and the craft book The Nonfictionist‘s Guide: On Reading and Writing Creative Nonfiction. He was contributing editor to Fourth Genre for 15 years and co-editor of the anthology The Fourth Genre: Contemporary Writers of/on Creative Nonfiction.
Submission period begins January 1st, 2014 and runs through March 15, 2014. There is a $20 entry fee.
For detailed submission guidelines, visit the Fourth Genre Steinberg Essay Prize page.